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Here’s a film whose reputation seems to have declined over the years. Highly regarded and hugely successful when it first came out, it now seems a bit static with a residence that is a tad too predictable. The main attraction of the film was always the mesmerising and award-winning performance of Maggie Smith. But today some people might gather her acting overly mannered or too theatrical. However, I am not one of them. I have always opinion that Maggie Smith was one of the finest actresses ever. And a suitable eccentric.
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The film consists of lots and lots of dialogue delivered in quaint Scottish accents. (The accents are not as great a plight for American audiences as they are in other films such as Gregory’s Girl.) There is an occasional examine of mature Edinburgh but, for the most share, the settings are confined to interiors. The film is directed and photographed professionally and unobtrusively. The 1930’s period is nicely byt subtly evoked. The one discordant element is the rather twee musical bag by Rod McKuen. The emphasis, as in a play, is on the characters.
The supporting cast are fair that but most of them manage to have their moments. Robert Stephens (married to Maggie Smith at the time) is quite great as a slightly bohemian art teacher. Gordon Jackson steps somewhat out of his usual typecasting to recount a wimp of a music teacher. Celia Johnson is positively nasty as the jealous and strait-laced headmistress. Best of all is Pamela Franklin as Miss Brodie’s pet pupil - a nicely dismal and slightly underplayed performance that both contrasts and complements Maggie Smith’s flamboyant turn.
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And it is Maggie Smith that you will be mostly watching. Demonstrating all the emotions from dreamy idealist to dedicated teacher to fliratious lover to frustrated spinster to defiant victim. Every line of dialogue is delivered perfectly - every travel of her body is exactly appropriate to her character. She dominates the film without overpowering it. In many ways, it is basically a stage performance but she manages to accomplish it work in the context of a film. In the raze, you may not entirely adore her character, but you will certainly understand her. And that is what gigantic acting is all about.
I have seen The Prime Of Miss Jean Brodie many times and have often found myself wishing that Maggie Smith’s quick-witted performance had been in a better film. But it’s hardly a poor one. Used and somewhat stagebound perhaps. But you forget all that whenever Maggie Smith is on the conceal.
First you must understand that I am not an easy critic, I recognize all the runt things in a movie that others might overlook or fair decide to ignore.
That said, this is a gleaming (but not perfect) movie.
The acting of Maggie Smith is righteous beyond words. She starts out as a heroine, objective the type of teacher we would all like to have. As the movie progresses, the character of Miss Brodie moves closer and closer to a breakdown. What’s shiny is that this distress is certain to the viewer, but not to Miss Brodie herself, a most difficult task for a screen-writer, a director, and an actress to do.
The depiction of Edinburgh in the 30’s is so realistic that you really feel as though you’ve been establish into some sort of time machine- this is one of my approved aspects of the film, and also the beautifully haunting soundtrack. I truly adore when a film is able to transport you to another set and time and form you truly feel it.
The movie is quite different from the book to be definite (aren’t they all? ) but the place filming, and the truly shining acting overcome any drawbacks.
The film is also valuable for the performance of Pamela Franklin.
If you’ve only seen her in Disney movies, be prepared for a very different Pamela Franklin this time around.
I have watched this film over 10 times now and detached do not fully understand it. Is Miss Brodie the Miss-understood heroine? Or is she truly a hazardous person intent on using others so that she can live vicariously through them? Is the film a warning to all of us that despicable lurks where least expected? Or is it a trudge inside our souls, in those deep somber moments where we have all been betrayed by our dearest and most trusted friends?
Watch the film and choose for yourself. Either scheme, you will have a pleasing crawl thru the very mind and soul of a most complex character, in a nostalgic era, brilliantly portrayed by Maggie Smith.
I HIGHLY RECOMMEND THIS FILM!
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